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Wednesday, November 21, 2007

Time to Wear Tights

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Twelve months from now, I will be a comic book writer. I’m on some Oprah shit; this is a lesson in self-actualization. Once a month for a year, I’ll blog about my progress here on Furthermucker along with all the usual seeds and stems of weekly reflections about Paris, hiphop, et al., and the whole thing will be an exercise in goal-setting and witnessing a dream manifest. All is mind.

Pops was a collector as a kid and saved thousands of joints for me in a closet at my great-grandmother’s place on Findlay Avenue in the South Bronx. (In fact, I sold my comics for seed money to move to Paris… another story.) Whenever we visited that Morrisania neighborhood, which was often, I dug in the bottomless cardboard boxes for 1960s copies of The Uncanny X-Men, The Amazing Spider-Man, etc. (I’ve still got a cherished Avengers #1 from 1963 in a sheaf of Mylar plastic.) I could even argue that my writing career started when Captain America published my letter to the editor at 11 years old. Me and my Co-op City cronies – like millions of other fanboys – used to create our own characters, take tracing paper to our comics collections, and act out our own adventures to the break of dawn.

So this is like a reality show experiment: I’ll be a comics writer by November 2008. It’s not a career change; a one-off graphic novel or miniseries will do just fine. Author Jonathan Lethem (Fortress of Solitude) brought back Omega the Unknown for Marvel Comics this year; director Reggie Hudlin (Boomerang) revived The Black Panther before semi-recently taking over BET. I’m in it mainly to get it out of my system already. As of today, all I’m armed with is my 34 years as a comics fan and a used copy of The DC Comics Guide to Writing Comics by Dennis O’Neil. Back in my brief Vibe magazine daze, I worked with Robert Morales (Truth) before he took off to write about a black precursor to Captain America for Marvel with Kyle Baker, another Vibe alumni who used to draw a cartoon strip in the magazine’s early days. They might give me some direction, they might not.

Oh yeah, and, I’ve got an idea. (Those always help.) It’s a team of heroes. The story will somehow transpose the so-called “New Spirituality” of Neale Donald Walsch (Conversations With God) to the world of superheroes. (Lord knows enough comics tales were stolen from the Bible to begin with.) (And the Bible stole those stories from…?) In movie-pitch terms, it’ll be John Byrne’s The Next Men crossed with Bill Willingham’s Elementals, with a little of Howard Chaykin’s American Flagg. Or maybe not. Let’s see how far I get by next month.

Comments

carlito at 5:17 PM on 11/21/07:

SUN!!!

We must be tuning into the same wavelengths!!

WORD UP!!

I feel you on that 100%!!

(Read an article related to the WGA strike which discussed the almost indefinable role of the contemporary writer, and I kept thinking: Yep. That’s me. No mufuckin limit to what I can do with these here words…)

MML at 6:51 PM on 11/21/07:

i gotta admit, it took me some years to get past feeling like i’d be losing credibility points for writing superhero stories. but we’re grown, we can do what we want. (ha) more importantly, if we’re storytellers, then we’re free to use a million different mediums to tell a story: novels, plays, comics, TV shows, movie screenplays, whatever. it’s on us.

Shawn Taylor at 9:23 PM on 11/22/07:

Handle it! I just finished writing an essay for a forthcoming book about chocolate. The writer’s pen knows no bounds. Reality is acheivable.

Shawn

MML at 12:42 AM on 11/23/07:

congratulations shawn, let me know the title of the book. (i could write a whole book on chocolate chip cookies, i’m a connoisseur.) writers write, it don’t matter what. and word, we speak reality into existence whether we believe we do or not. “i am a comic book writer”… watch this space for what happens.

brothadirt at 9:56 AM on 11/25/07:

see, thats azackly how i feel about black creativity as a whole:
as expressive and expansive as the hiphop culture is, we’ve allowed ourselves
to become marginalized by it – as if thats the only relevant means thru which to express ourselves… as a result, we’ve lost our ability to use myth as
an artistic medium/asphalt equates to african-american… we all hafta be ‘hard’ even when tenderness is needed.

somewhair between ‘the talented tenth’ and being stuck in ‘the trick bag’ are
our invisible/non-divisible voices …and they demand an outlet!

raze up!

MML at 5:31 PM on 11/26/07:

indeed. i threw myself into a ‘post-hiphop’ mentality a few years ago just to get out from the straightjacket that representing the culture can be if you let it. if we are hiphop, then anything we do is automatically hiphop. ergo, we can do whatever the F we want.

carlito at 5:35 PM on 11/26/07:

and indeed, again…

same here. (gattdamn, homie, i’m beginning to think our paths might have more similarities than differences, despite yours taking you to Paris and mine taking me across the Hudson).

for too many reasons to name here, i just got TIRED of the routine: The Source, XXL, Vibe, Somepseudotrendynameforwhatevernewstartuphiphopmagyoulike, interview or cover a rapper who brings nothing to the stew than knife and fork, punch the clock, get some sleep, go back and do it all over again tomorrow…

worked on a video game, and even then, i found myself having to fight the nagging feeling that i was somehow doing shit that was “beneath” me…

when finances dictated that i make the urban mag rounds again for a quick byline = a check run right quick, that shit fucked with me to no end…

and one day it hit me:

“waitaminnit. if i NEVER let the industry define me before, and my interview with Selwyn and Dave Mays back when they were looking to hire me went something like “your mag has fallen the fuck off and i can help bring that shit back to where it needs to be b’cuz i AM who this magazine is,” and my definition of hip hop predates the term “hip hop,” then ANYTHING i do automatically hip hop.

“damn… i can do whatever the fk i want… and what has been the essence of what i’ve been doing for MOST of my life, be it drawing and writing my own comics in elementary and junior high, bombing trains, hitting walls, painting jackets and canvases and rockin’ mics wherever i found them during high school and the early 20s, and then writing essays, memoirs and all that Source shit after…?

STORYTELLING.

“worrrrrd.

“yep, that’s it. that’s it right there.”

(not to mention, doing the knowledge to Mailer more than the cursory shit i had on him while he was alive REALLY hit home for me. dude did it all, for what was available to him and his back then. the medium is NOT the message; not entirely anyway).

feels REAL good to be free of them self-imposed chains, maaaaan…

i’ll be checkin’ in on that progress, my dude. rock that graphic novel, freak that comic book, tell those stories!!

MML at 5:31 PM on 11/28/07:

thanks again, carlito. it’s like the 1990s hiphop writers in our 20s all started racing a marathon to some undetermined finish line, and then grew up and began running in our own directions. it’s cool to realize that it’s not a race, and we can do what we fuckin wanna do.

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